After Effects Cc 2014

Adobe After Effects CC 2014 is layer-based, which means you can change the blending mode for a layer affects other below it. A blending mode affects how the pixels are transferred to the pixels of other layers. In addition, you can bind a specific parameter from one layer to another, and changes in the “father” directly affect “son.”. After Effects CC 2014.1 (13.1) includes a version 2.0 of the Cineware plug-in, which serves as the primary interface for integration with Cinema 4D. After Effects CC 2014.1 (13.1) also includes version R16 of Cinema 4D Lite, which provides several new features, such as the new Reflectance channel.

Adobe After Effects CC 2014 Free Download Latest Version for Windows. It is full offline installer standalone setup of Adobe After Effects CC 2014 64 Bit.

Adobe After Effects CC 2014 13.0.1 ( 64 Bit) (patch) by Hripi'sSoftware. Publication date 2020-08-16 Usage Public Domain Mark 1.0 Topics software. Software Addeddate. Adobe After Effects CC 2014 has been added to Game-Debate but does not currently have the Adobe After Effects CC 2014 system requirements. If the software is less than 3 years old and you know.

Adobe After Effects CC 2014 Overview

Adobe After Effects is a tool that can be used for creating visual effects into your videos so creating some stunning effects in your videos is not a dream anymore. With this easy to use tool you can impress your friends by creating some staggering visual effects into your videos. Adobe After Effects since its 1st release has come up in many versions and the one we are reviewing today is Adobe After Effects CC 2014. An older version After Effects CS4 is also available to try.

The GUI of Adobe After Effects CC 2014 is very simple and has been designed in such a way so that you can focus onto your videos. There is a huge collection of new and improved effects included in this version like Edge Refiner, 3D Camera Tracker and Wrap Stabilizer etc. The number of effects are so many that you may not ask for more. The Creative Cloud integration enables you to store your ongoing projects on multiple machines and to complete your projects at any time and anywhere. Adobe After Effects CC 2014 has a built in project sharing network which will enable you to share your work with your friends listed in the network for better team collaboration. The previous version was After Effects CS6 which is still widely used.

One staggering feature of Adobe After Effects CC 2014 is that you can add custom 3D scenes without rendering. The Extrude feature has been enhanced in a greater way and now you can change your 2D text into 3D with more ease. Then there is an integration with Typekit which will allow select font of your choice as it contains a number of them. You can also use mask for editing a specific portion in your videos.

All in all Adobe After Effects CC 2014 is a very handy application and with a totally redesigned interface creating stunning visual effects becomes very easy.

Features of Adobe After Effects CC 2014

Below are some noticeable features which you’ll experience after Adobe After Effects CC 2014 free download.

Can create visual effects into your videos.
Easy to use tool.
Lots of new and improved effects included.
Redesigned interface.
Can store your ongoing projects in Creative Cloud.
Built in project sharing network.
Can add custom 3D scenes.
Typekit included for more fonts.
Can edit specific portions of the videos using mask.

Adobe After Effects CC 2014 Technical Setup Details

Software Full Name: Adove After Effects CC 2014 x64
Setup File Name: Adobe_After_Effects_CC_2014.rar
Full Setup Size: 986 MB
Setup Type: Offline Installer / Full Standalone Setup
Compatibility Architecture: 64 Bit (x64)
Latest Version Release Added On: 7th Dec 2014
Developers: Adobe

System Requirements For Adobe After Effects CC 2014

Before you start Adobe After Effects CC 2014 free download, make sure your PC meets minimum system requirements.

Operating System: Windows 7/8/8.1
Memory (RAM): 4GB of RAM required.
Hard Disk Space: 5GB of free space required.
Processor: Intel Core 2 Duo or faster.

Adobe After Effects CC 2014 Free Download

Click on below button to start Adobe After Effects CC 2014 Free Download. This is complete offline installer and standalone setup for Adobe After Effects CC 2014. This would be compatible with 64 bit windows.

Before Installing Software You Must Watch This Installation Guide Video

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This Post was Last Updated On: August 19, 2017

[UPDATE: Be sure to install the After Effects CC 2014.1.1 (13.1.1) bug-fix update.]

After Effects CC 2014.1 (13.1) is available.

If you have a Creative Cloud membership, you always have access to the latest version of After Effects. You can install this update by choosing Help > Updates within any Adobe application or by opening the Creative Cloud desktop application. Go to the Creative Cloud site to download applications or to sign up for Creative Cloud.

For more information about Creative Cloud, see this overview video and the Creative Cloud FAQ list.

For information about updates for all of our professional video and audio applications, see this page.

For details of what was new in After Effects CC 2014 (13.0), see this page.

Please, if you want to ask questions about these new and changed features, come on over to the After Effects user-to-user forum. That’s the best place for questions (and, if you follow that link, you’ll find more information about how to communicate with us). Questions left in comments on a blog post are much harder to work with; the blog comment system just isn’t set up for conversations. If you’d like to submit feature requests (or bug reports), you can do so here.

details of all new and changed features in After Effects CC 2014.1 (13.1)

Here is a virtually comprehensive list of changes, with detail beyond the summaries of the top items listed above. We’ll be posting a lot more detail over the coming weeks, and the outline below will be populated with links to in-depth articles and tutorials, so bookmark this page and check back.

high-resolution (high DPI) content viewers and user interface elements on Mac OS and Windows

After Effects CC 2014.1 (13.1) displays content and user interface items at the appropriate resolution on high-resolution displays (sometimes called “high-DPI” or “HiDPI”) on both Windows and Mac OS. This makes After Effects easier to use on high-pixel-density monitors, like Apple Retina displays and Microsoft Surface Pro devices.

In content viewers, After Effects will take advantage of the pixel density of the display to show each pixel of content in a viewer as a single pixel on the display. This affects the contents of the Footage panel, Layer panel, and Composition panel, including both your video content and some UI overlays and widgets within the content area.

Note that for a given piece of content to appear the same on a high-DPI display as on a non-high-DPI display, the zoom value for the former needs to be twice that of the latter, since the points are half the size. If you drag a panel from a high-DPI display to a non-high-DPI display, you’ll see the zoom value change, while the content occupies the same space on the screen.

User interface elements such as icons, text labels, pointers, buttons, etc. will now scale according the operating system display DPI setting. Mac OS computers with a Retina display will scale to 200%. Windows computers with a high-DPI display will scale to 150% or 200%.

refreshed user interface design

The user interface (UI) of After Effects, as well as Premiere Pro and other Adobe professional video and audio applications, has been updated with a new design. Pointers, icons, text, controllers, and button styles have all been refreshed.

The layout of the interface has not changed significantly, but some simplification has been made to panel functionality.

The icon for the panel menu has been moved from the upper-right corner of the panel to the panel tab, making the panel menu easier to discover.

The panel grabber and frame grabber icons have been removed; you can still drag panels using the panel tab.

The close button (x) has been removed from all panels except the Timeline, Composition, Layer, Footage, Effect Controls, and Flowchart panels. In these panels the close button has moved to the left side of the panel tab. To close a panel without the close button, open the panel menu or right-click on the panel tab and choose Close Panel, or use the keyboard shortcut, Command+W (Mac OS) or Ctrl+W (Windows).

The range of the Brightness slider in the Appearance preference category is more limited than in previous versions; there is no longer a “light” mode for the interface. The default brightness setting is darker than in previous versions.

Because some scripts that create ScriptUI panels have not been updated to accommodate the new user interface design, some of these scripts may appear wrong with the new UI skin. If this occurs with a script that you use, you can make an individual ScriptUI panel appear using the old UI skin by enabling the Use Legacy UI option in the panel menu for the ScriptUI panel.

Copy With Relative Property Links command

A new command in the Edit menu, Copy With Relative Property Links, works like the existing Copy With Property Links command, except that it creates expressions that do not reference the source composition by name. This maintains a relative link between the layer with the expression and the composition containing that layer. This can be useful when, for example, you want to move expression-rigged layers from one composition to another but let the layers reference a control layer only in the same composition. The expressions created using the Copy With Relative Property Links command are identical to those created using the expression pickwhip.

For copying a layer’s Position property, the result would be this:
thisComp.layer('control_layer').transform.position

The existing Copy With Property Links command will specifically reference the layer’s source composition in the expression:
comp('source_comp').layer('control_layer').transform.position

color management for Dynamic Link

When color management is enabled for an After Effects project, compositions viewed or rendered over Dynamic Link will be transformed using the HDTV (Rec. 709) color profile. This prevents color or gamma shifts in the appearance of these compositions in Premiere Pro and Adobe Media Encoder.

Dynamic Link always assumes that all incoming frames are in the HDTV (Rec. 709) color space. Prior to After Effects CC 2014.1 (13.1), compositions in a color-managed project were sent to Dynamic Link in the project’s working color space; they were not adjusted for Dynamic Link’s assumption of HDTV (Rec. 709). This mismatch resulted in a noticeable color or gamma shift when the project’s working color space was significantly different from HDTV (Rec. 709) or when Linearize Working Space was enabled.

In After Effects CC 2014.1 (13.1), a color transformation is applied to the composition as a last step before the images are passed to Dynamic Link for use in Premiere Pro or Adobe Media Encoder. This corrects the composition image to the color space used by Dynamic Link, similar to how the View > Enable Display Color Management option in After Effects corrects the image for your monitor.

Maxon Cineware 2.0 plug-in and CINEMA 4D Lite R16

After Effects CC 2014.1 (13.1) includes a version 2.0 of the Cineware plug-in, which serves as the primary interface for integration with Cinema 4D.

After Effects CC 2014.1 (13.1) also includes version R16 of Cinema 4D Lite, which provides several new features, such as the new Reflectance channel. (For details about each edition of Cinema 4D, see the Maxon website.)

John Dickinson summarizes the changes in Cineware 2.0 in a video on the Motionworks website.

Automatic Cineware effect settings synchronization: When adding multiple instances of a CINEMA 4D scene layer in a composition, including adding Multi-Pass layers, you will see an on/off checkbox at the top of the Effect Controls panel labeled Synchronize Layer. It is on by default, meaning that the Cineware effect settings on all instances of the layer will automatically synchronize. If this checkbox is disabled for a specific CINEMA 4D scene layer, then that layer’s settings will not synchronize with the rest of the layers in that composition. The Apply To All button from previous versions of Cineware has been removed.
Default Layer: The CINEMA 4D layers dialog box now shows a Default Layer option if the renderer supports it. Objects that have not been assigned to an explicit layer in the .c4d project file will be visible with Default Layer enabled.
Content Browser: When using a full retail version of CINEMA 4D R16 as the renderer, textures applied via installed content libs (.lib4d files) will render in After Effects using Cineware.
region of interest: If you use the region of interest feature in After Effects to constrain the preview to a subset of the frame, the Cineware effect will respect this setting and limit rendering to the area within the region of interest. This only applies when the Renderer control is set to Standard (Final).
Purge Memory: This option only works when the CINEMA 4D render path in Options is set to the default render server Cineware R16, or a full retail version of CINEMA 4D R16 or later. For complex scenes, the render server may use memory for internal caches. To free up that memory click “Purge Memory” in order to extend the length of previews in After Effects.

Collect Files for Cinema 4D assets

The Collect Files command in After Effects now collects assets associated with .c4d footage items, such as textures.

automatic encoding of compositions in After Effects project files in Adobe Media Encoder watch folders

If you place an After Effects project (.aep) file in a watch folder that is being monitored by Adobe Media Encoder, the compositions at the top level in the project (i.e., those not in folders in the Project panel) will automatically be added to the Adobe Media Encoder encoding queue.

For more information about what’s new and changed in Adobe Media Encoder CC 2014.1 (8.1), see this page.

native encoding and decoding of movies using GoPro CineForm codecs

After Effects, Premiere Pro, and Adobe Media Encoder can natively decode and encode QuickTime (.mov) files using the GoPro Cineform codecs on Mac OS and Windows, meaning that you do not need to install additional codecs to use and create such files.

At the higher quality settings, this codec is an excellent choice for intermediate files—i.e., files that you create from one application in a post-production pipeline to pass to the next application in the pipeline. Movie files encoded with the GoPro Cineform codec at the higher quality settings include an alpha channel.

To use the GoPro CineForm codec for output, choose QuickTime as the format in the Output Module Settings dialog box, click the Format Options button, and choose GoPro CineForm as the video codec.

For details about quality and pixel format settings for the GoPro CineForm codec, see this page.

scripting improvements for text layers

You can now read additional information through scripting about the font and style used in a text layer, including the location of the font file on disk.